A cursory listen to Record Playas,
Soundtracks For Days might yield the
impression that they went to great lengths to
construct twenty-four ways to say, "blah." The
twenty-four tracks are filled with a myriad of
mostly unknown lyricists with little obvious
connection from one song to another and few
truly stand-out tracks. But with time, catchy,
simplistic beats from the production team of
Mind, Nobel and Jesus, chip away at the apparent
mediocrity and make this a solid, if slightly
long release that has its finger squarely on the
pulse of the vibrant Chicago underground hip hop
scene.
At odds with trends of times, rather than
asking different producers for beats to rhyme
over, the trio that make up the Record Playas
provide beats for a long list of MCs and the
emphasis tends to remain on the production as a
result. One of the reasons that this is such a
difficult album to initially appreciate is that
there are far too many lyricists to keep track
of and the lyrical style and content tend to
fluctuate wildly from track to track. The thing
that holds this album together is the steady,
jazz-influenced production. As might be
expected, the songs go with the production-most
of the lyricists are neither good enough to save
songs with weak beats nor bad enough to ruin
tracks with the layered, catchy beats the Record
Playas often create. An exception to this rule
is "Don't Tell Nobody 2017," where Infinito
rises above a bare-bones beat by Jesus to spit
rapid-fire staccato lines that suggest he may
have a promising future: "As FBI fights CIA, you
scandalous like Enron/ see I say nay, better yet
no is the way/ a good county hospital's getting
pay taken away/ a man can make a plan somewhere
in Pakistan/ upper hand was taken, enemy in
command."
On the other hand, Erebus's lyrical work is
clearly over-shadowed by the excellent beat on
"Environmental Products." In many ways, this
track embodies all the things the Record Playas
do well while also underscoring a weakness-good,
but not great lyricists. The interplay of
upright bass and fluttering piano licks along
with occasional, well-used samples and
scratching show that the Record Playas have to
ability to construct beautifully inventive,
jazzy beats. Perhaps it's due to the fact that
Soundtracks For Days is almost eighty
minutes long, but the group seems to be at their
best on the tracks when they are the farthest
away from traditional hip hop beats. Some of the
more straight hip hop songs such as "Record
Playa" and "Stressed" can border on boring but
more challenging songs such as the
aforementioned "Environmental Products" and
"Project Ben" are great. "Project Ben" is
essentially a jazz quintet song with drums,
bass, trumpet, trombone (both supplied by the
excellently named Supacolodons) and turntable.
Too often, turntabilism places technical acuity
ahead of any concerns for the beat but no such
mistake is made here. "Project Ben" and several
of the other tracks that Noble cuts on are great
examples of how scratching can add to, rather
than take away from, a beat.
Soundtracks For Days solidifies what
many people already know--Chicago has one of the
best underground hip hop scenes in the nation.
Drawing from the deep pool of Windy City talent,
the Record Playas have made an album that has
enough catchy beats and dope verses to easily
make a great album. Unfortunately, the excessive
length dilutes the talent such that impatient
listeners may be just as likely to be pressing
the 'skip' button as they will to be nodding
their heads.