 Polyphonic The Verbose :: Abstract Data Ark
(Audio8, CD) :: Robbie Geoghegan ::
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Polyphonic The Verbose :: Abstract Data
Ark (Audio8, CD)
"...Relaxed
beats, surreal soundscapes, chopped up lyrics, full on raps and
computer noise are Freyman’s tools; all of which he uses to their
full extent..."
Robbie Geoghegan,
Contributing Editor [read all]
(08.08.06) No-one is absolutely positive where blip hop escaped
from. The first piece of blip hop this reviewer came across was the
awe inspiring Tried by 12 by East Flatbush Project. The
double wax release came out on both Ninja Tune and Chocolate
Industries and set the new genre alight as mixers such as Autechre,
Funkstörung, Squarepusher, Phoenicia and Richard Devine tried their
hand at the fantastic hip hop original. Labels like Skam, Schematic
and Chocolate industries had always been flirting with hip hop
orientated crunch in their releases, but Tried by 12 went one
step further with the full immersion of hip hop and electronica to
make something new. Nevertheless, it was not the East Flatbush
Project’s pioneering release that made an audience for blip hop,
that reward must go to the multitalented Scott Herren AKA Prefuse
73. Prefuse 73 meekly entered the scene on Warp Records but soon
exploded with a vast array of appearances on credited label
compilations, not to mention his screaming first album: Vocal
Studies + Uprock Narratives.
Nowadays, blip hop is an established genre with many
artists trying to add their own unique spin to the urban computer
sound. One label releasing blip hop in the States is Audio8
Recordings. One of the premier artists of the Chicago based imprint
is Will Freyman AKA Polyphonic the Verbose. This summer saw Freyman
release his latest LP, Abstract Data Ark. Freyman studied
classical piano as a child, but as the years passed his interest
switched to jazz and then onto urban scene. But how does Freyman
fair up in the difficult genre that is blip hop? Is he able to
compete with the likes of East Flatbush Project or even Prefuse 73?
Has Freyman found his spin on blip hop, a unique viewpoint from
which to make the genre his own?
Polyphonic’s style is quite interesting. Freyman
flicks from a hip hop centered sound into fields with a much more
abstract and ambient tone; blending the sounds as he sees fit. The
album starts of well with the mixed up, cut around and sampled in
“Container Life #473.” Track two, “Moving On” is a well made and
well produced hip-hop track with some great analog plays. “Sun and
Moon” is almost like an experiment in how far Freyman can push the
sound without losing all aspects of the genre completely. An
intriguing hip hop based outing, but cut up by estranging noise and
horn blows; a lyrical work drenched and drowned in a fog of
computerized sound to make for an engagingly abstract piece.
“Commuters Dream of Luke Skywalker” follows, an echoing hip hop
track that rises and falls through a maze of blips and bleeps and
drops into the lyrical “Land Rovers in the Video.” Many of Freyman’s
tracks have a looping uneasiness to them. “Orange Alert Mental
Pattern” is an unnerving, atmospheric track that adopts elements
from ambient and hip hop to make for dark, mysterious yet beautiful
sound. “Machines with Sealed Inputs” is a shaking, shimmering hip
hop encounter. The lyrical foundation of the track is distorted and
twisted up by technology to create a mirage of sound and song.
Glitch and vocals are merged into an aural battle in which neither
can be victorious. A great piece. The album ends with “Happy
Ending,” a track that embraces many aspects of the blip hop sound,
the vocal, the instrumental and the computerized. The piece takes
the lyrical, a tribal sound, but submerges it in glitch and digital
gravel; a track almost summing up what blip hop is all about.
Polyphonic the Verbose has found his own style in a
difficult genre. Freyman takes all the elements of blip hop and
pushes and pulls their boundaries to almost breaking point. His
sound is much more digital overall, but he never leaves his urban
influences behind. Relaxed beats, surreal soundscapes, chopped up
lyrics, full on raps and computer noise are Freyman’s tools; all of
which he uses to their full extent. Abstract Data Ark is a
fine example of what blip hop can be, a very experimental medium
that is as playful as it is artistic. This is blip hop made with
thought and talent, a blend ultimately resulting in a very good
effort.
Abstract Data Ark is out now on
Audio8. Buy it at Amazon.com.
Audio8
Polyphonic
The Verbose
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