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MUSIC
» 2006 Year-End Music Report [composite] - Whereas 2005 held little promise in January yet wound up being a great year for music, this year began with a slew of fanfare for killer albums and wound up being a bit lackluster. LAS presents the 20 of 06.
MUSIC
» 2006 Year-End Music Report [individual] - The Making of The List. Go behind the scenes of our best albums list and find out what our staff has been listening to over and over again. The individual staff lists.
CINEMA
» Best 2006 Films - Lights! Camera! Clichés! With a somewhat unremarkable theatrical season behind us, the LAS staff takes a look back at some of our favorite films from 2006. Nothing fancy, just some lists. Enjoy!Music Reviews
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Polyphonic The VerboseAbstract Data Ark
Audio 8
?
Remember all those times LAS told you that Chicago hip-hop
was a force to be reckoned with? Here’s more evidence.
Polyphonic, aka Polyphonic The Verbose, is a producer/DJ most commonly known for his connection with prolific Chicago MC Serengeti and his production credits on Certain Sound and Pugslee Atomz’s Playing With Matches. With his debut solo release, Abstract Data Ark, Polyphonic shows that he can carry the weight all by his lonesome.
That is not to say that Polyphonic is truly going it alone on his first effort. The album runs its course over 14 tracks, eight of which include accompaniment by a vocalist, MC, or instrumentalist. Labelmates Nico B, AM Overtone, Raistlin, and Serengeti lend their talents, and a non-Audio 8 notable guest spot comes in the form of the always-potent Psalm One. The remaining six tracks strictly showcase Polyphonic and his intrinsic creative vices (clever samples, fresh hip-hop/electronic sounds, leftfield effects, and moving beats).
It is important to note that, as of late, albums of the instrumental hip-hop persuasion have been overly criticized by some. That said, Polyphonic seems to have been aware of the penalty and distributes moods, techniques, and lyricism to an even spread. The opener ("Container Life #473") sets the standard with a vocal sample start ("In the beginning, the earth was without ball and boy"); a dissected, filtered tonal hook; jumpy synth melodies; bumpin’ glitchy beats; and later, a pinging bicycle bell that punctuates the snare beat.
The next cut focuses more intently on a smaller set of sounds and frees some space for Nico B and Benjamin Lamar to rhyme. Sometimes in these cases, when MCs are featured on other peoples’ material they manage to inadvertently steal the show. But to his credit, in "Moving On" Polyphonic still finds a way to keep the listener’s ear throughout samples of a shrill, cracking flute and juttering upright bass.
Polyphonic’s style is something of a glitch, electronic, new school hip-hop hybrid. Fans of Prefuse 73 and Dabrye will identify attractive real and synthetic sounds and techniques throughout, and will also enjoy Polyphonic’s ability to fluidly mix it up with several different capable, independent rappers. This is a versatile, complete product that satiates many subgenres, moods and crowds, and promises one artist’s rising future.
Polyphonic, aka Polyphonic The Verbose, is a producer/DJ most commonly known for his connection with prolific Chicago MC Serengeti and his production credits on Certain Sound and Pugslee Atomz’s Playing With Matches. With his debut solo release, Abstract Data Ark, Polyphonic shows that he can carry the weight all by his lonesome.
That is not to say that Polyphonic is truly going it alone on his first effort. The album runs its course over 14 tracks, eight of which include accompaniment by a vocalist, MC, or instrumentalist. Labelmates Nico B, AM Overtone, Raistlin, and Serengeti lend their talents, and a non-Audio 8 notable guest spot comes in the form of the always-potent Psalm One. The remaining six tracks strictly showcase Polyphonic and his intrinsic creative vices (clever samples, fresh hip-hop/electronic sounds, leftfield effects, and moving beats).
It is important to note that, as of late, albums of the instrumental hip-hop persuasion have been overly criticized by some. That said, Polyphonic seems to have been aware of the penalty and distributes moods, techniques, and lyricism to an even spread. The opener ("Container Life #473") sets the standard with a vocal sample start ("In the beginning, the earth was without ball and boy"); a dissected, filtered tonal hook; jumpy synth melodies; bumpin’ glitchy beats; and later, a pinging bicycle bell that punctuates the snare beat.
The next cut focuses more intently on a smaller set of sounds and frees some space for Nico B and Benjamin Lamar to rhyme. Sometimes in these cases, when MCs are featured on other peoples’ material they manage to inadvertently steal the show. But to his credit, in "Moving On" Polyphonic still finds a way to keep the listener’s ear throughout samples of a shrill, cracking flute and juttering upright bass.
Polyphonic’s style is something of a glitch, electronic, new school hip-hop hybrid. Fans of Prefuse 73 and Dabrye will identify attractive real and synthetic sounds and techniques throughout, and will also enjoy Polyphonic’s ability to fluidly mix it up with several different capable, independent rappers. This is a versatile, complete product that satiates many subgenres, moods and crowds, and promises one artist’s rising future.
Reviewed by
Joshua Ian Zanger, a native of rural Chicago, rocks many a world with his writing, style, and generally sweet aroma.
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